Several months ago, I wrote an article for Curve magazine. Between my submitting it and it’s running, the magazine was sold to an Australian publishing firm.
This immediately seemed like good news from a reader’s perspective, because I know the magazine has been struggling financially, and lately, I’d been seeing ominous signs. For example, I noticed that nobody was contacting me to ask for an author photo, or bio info—and they always run that kind of thing along with feature articles. And the magazine abruptly cancelled an anniversary party, which seemed like a very bad sign. I really like Curve and so under the circumstances, I’m glad they found a new publisher because a sale implies that someone sees a future for the magazine.
Of course, regime change also means people lose their jobs, and that’s not good. I knew that the editor I had worked with lost hers, so I worried that my article would be ignored by the new team. Happily, I just had an email exchange with the new editor-in-chief, and she said she still plans to use it.
Even better, she said that she liked my piece, and that it “rang true” to her as an Australian. What a relief! If I’d thought months ago there was a chance my article would turn out to be me telling Aussies what Oz is like, I never would have pitched it in the first place.
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